Rituales del público de cine de la capital y el interior de Paraguay durante el stronismo (1968-1979)

In this ethnography of the public cinema during stronismo (1968-1979) aim is to describe Asuncion, Caaguazú and Coronel Oviedo from general sociodemographic data, reception movies seen between 1968 1979, description way this, organized social activities comprehended notion ritual. Several devices were generated: a film series in three territories, semi structured interviews, polls, analysis audiovisual, bibliographical hemerographic materials. The conclusion that cinematographic field was enriched by labor critique, as creation, employment or livelihood promotion clubs linked cultural, religious political militancy time intense repression.